Well, why Sony WF-1000xm4? Believe it or not, it’s insanely hard to find anything decent, that’s why. All of the TWS headphones models I’ve tried (about 30 of them) didn’t fascinate me in any way, and it just so happened that the WF-1000xm3 I once owned were cool. I really enjoyed them, but then the battery capacity decided it’s time to go.
Let’s get straight to the point: the Noble company managed to make some completely wireless headphones with very good sound. Like, phenomenally good sound. But are these Noble headphones themselves? This is actually a big question.
In 2007, Nassim Taleb wrote a book called ‘The Black Swan: The Impact of the Highly Improbable’, in which he introduced the concept of a ‘Black Swan’ event. He describes it as an event that was unpredictable before, but became completely rationally explicable in hindsight, and also triggered some significant consequences. Why am I telling…
Let’s start by answering a simple (but not too simple, actually) question: what are the headphones sound parameters that can be measured at all? Or, more precisely, the sound parameters that are usually measured. I’ve divided those into two categories: the main ones – the most significant and frequently cited, and the additional ones – less significant, but also important.
On the Shure website, there’s a hint about the Aonic 50 having to deliver a smooth sound, because ‘some comfortable, high-quality headphones with studio-class sound are the least we could do for you’. And since I’m a big fan of neutral sound delivery, my audiophile libido immediately kicked in. After all, ‘studio-class’ should be neutral, right?
DALI IO-6 are expensive ($400 on Amazon) wireless headphones from an audiophile company with an established name and history. And since neither their history nor their name have anything to do directly with the sound and functioning of IO-6, I won’t spend a second of your time elaborating the point.